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TRAILER 153 TRAILER 137 Play all videos What to know Train to Busan delivers a thrillingly unique - and purely entertaining - take on the zombie genre, with fully realized characters and plenty of social commentary to underscore the bursts of skillfully staged action. Read critic reviews You Were Never Really Here Rent/buy Free Rent/buy Rent/buy Train to Busan videos 5 Highest-Rated Korean Horror Films 334 Train to Busan Trailer 2 TRAILER 153 Train to Busan Trailer1 TRAILER 137 Train to Busan Teaser Trailer 1 036 Train to Busan Photos Movie Info A man Gong Yoo, his estranged daughter and other passengers become trapped on a speeding train during a zombie outbreak in South Korea. Genre Horror, Mystery & thriller, Action Original Language Korean Director Yeon Sang-ho Producer Lee Dong-ha Writer Yeon Sang-ho Release Date Theaters Jul 22, 2016 limited Release Date Streaming Jan 17, 2017 Box Office Gross USA $ Runtime 1h 58m Distributor Well Go USA Production Co RedPeter Film Sound Mix Stereo, Dolby Digital Aspect Ratio Flat Cast & Crew News & Interviews for Train to Busan Critic Reviews for Train to Busan Audience Reviews for Train to Busan Jun 30, 2020 Right off the bat I'm just going to say this may be the most enjoyable modern zombie movie I've seen. Now does that mean it's the best zombie movie of all time? Probably not. Does that mean it's unique in it's vision and style? Not necessarily. It's gotten a lot of comparisons to Snowpiercer and World War Z, and yeah, if you mashed those two together you'd probably get a pretty similar film. There's the forward momentum on the train of Snowpiercer, and the zombies move in the fast piling horde fashion that we saw in World War Z. But here's the thing I really like both of those films! And honestly, I like this one even more. What we've seen popularized a lot lately is the post-apocalyptic stories, especially with zombies, so I kind of miss these outbreak day stories. Some of the best moments are the slow escalation at the beginning, before anyone realizes what's happening. They're tense, and pretty genuine. After things hit the fan though, it really goes full tilt horror-action, with some scenes that can be outrageous but are so much fun and so pulse-pounding in their intensity they get a pass from me. It's not a perfect film by any means though, but my problems aren't dealbreakers, more nitpicks. Obviously there's a lot of death, and while this is to be expected, it can get so upsettingly depressing in some of the deaths. I don't mind a tonal shift, and we need death in a zombie film, but some of them just went a little overboard in my opinion. I also didn't like how there weren't consistent rules for these zombies, namely in infection time. Sometimes a person would get bit and turn within seconds, other times they'd have enough time to retain humanity for several minutes. You need to pick one and stick to it so we know what to expect from the threat you're presenting. However these nitpicks are not enough to keep me from loving the hell out of this movie. I love the escalation and the bonding of strangers, I love momentum in both the train and the story, and I love just how many scenes were just a joy for me to watch. I just love this movie. Mar 27, 2020 Train to Busan tugs on your heartstrings whether it be from the grisly-chaotic violence and terror to the emotional drama that ensues throughout. The film blends different genres while still maintaining its horror identity and leaves you on-edge every single frame that'll sure be an experience for all who are bold to endure it. Super Reviewer Dec 02, 2018 Very creepy, tense from start to finish. Super Reviewer Oct 08, 2018 With a couple of the zombie movies I've watched recently, I've found myself able to go so far in my reviews as to credit the films for some modicum of surprise originality, alongside a rating of four of five out of ten. But it has been years since I've been able to say that I saw a zombie movie I genuinely and wholeheartedly enjoyed. Or I should say, it had been years, right up until last night when I saw Train to Busan. Super Reviewer Cast & crewUser reviewsTriviaWhile a zombie virus breaks out in South Korea, passengers struggle to survive on the train from Seoul to a zombie virus breaks out in South Korea, passengers struggle to survive on the train from Seoul to a zombie virus breaks out in South Korea, passengers struggle to survive on the train from Seoul to production, box office & company infoVideos11More like thisReview Worth your time!I'm not a big fan of South Korea movies or TV shows but I love zombie movies so I try this one and I didn't disappointed as a zombie movie fan!Train to Busan is such a great ride, Well Written, A lovely cinematography, wonderful performances with the main cast, and especially unbelievable performance with the zombie actors to this film!This is the film that you will never forget this year because its all in one movie, FUN RIDE, ACTION RIDE, SUSPENSE RIDE AND DRAMA RIDE! Hollywood zombies films I think you need to think twice now because South Korea zombies will eat you alive!4over5akosijesuSep 2, 2016Contribute to this pageSuggest an edit or add missing contentWhat is the streaming release date of Train to Busan 2016 in Canada?AnswerEdit pageMore to exploreRecently viewedYou have no recently viewed pages Nam Dong-chul will act as interim director of the Busan International Film Festival after a month of management turmoil, two high profile resignations and sexual harassment accusations levelled at festival director Huh Moon-young. Huh denies the allegations, but will not return to the festival. In early May, the festival announced the appointment of Cho Jong-kook, a close friend of festival chairman Lee Yong-kwan, as managing director, with responsibility for operations, administration and budgeting. The move effectively split the festival director’s job and two days later Huh announced his plan to resign. Two film industry guilds threatened to boycott this year’s event in October in support of Huh. Lee said that he would resign to take responsibility for the mess caused by Cho’s appointment. But initially, the festival’s board refused to accept either Lee or Huh’s departure. Huh said that personal reasons were keeping him from returning. Shortly after, it emerged in a local newspaper that a festival employee had reported Huh to the Center for Gender Equality in Korean Films, called DeunDeun. The employee, whose identity is not known to Variety, is reported to have accused Huh of using sexually inappropriate language. In order to break the logjam and get preparations back on track, the festival board is reported to have asked Cho to step aside and appointed Nam to run the show through October. “This year’s festival will be led by program director Nam Dong-chul on behalf of [the] vacant festival director,” a Busan spokesperson told Variety. “For this year’s successful festival, chairman Lee will maintain his position until the end of the festival. He will take on the full responsibility of the current situation and resign after the completion of the festival.” While Nam “will lead this year’s festival on behalf of the vacant festival director,” Nam’s job title will not change, the spokesperson explained. The vacancy in the festival director’s position is not expected to affect preparation for this year’s festival, Asia’s biggest and most prestigious, which is scheduled to run Oct. 4-13. Nam is an experienced programmer and has previously worked within both Busan’s festival and market structures. “BIFF will abide by the procedure provided by the Center for Gender Equality in Korean Films, where the allegation was reported, and plan to discuss future plans of the festival based on the internal regulations and rules regarding such guidelines. There is no confirmation of the exact facts and [Huh] has denied all claims so far,” the festival spokesperson said. Huh became festival director in 2021, having previously been program director of the Busan Cinema Center and programmer of Korean films at the film festival. The early part of his career was spent as a journalist with movie magazine Cine21. Film festivals in Korea are highly political, with the issue of creative freedom and resistance to regulatory oversight at the root of many skirmishes. Each of the biggest three festivals – Busan, Jeonju and the BiFan fantasy festival – has previously experienced poisonous factional infighting. Now, the MeToo movement is also growing in force in the country where age, status and rigid social hierarchy had protected wrong-doers for years. In the film and TV industries there have been several high-profile accusations.

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